Thomas Adès (1971)

Powder Her Face (1994)

opéra de chambre en deux actes et huit scènes pour quatre chanteurs et quinze instrumentistes


œuvre scénique

Informations générales

Date de composition : 1994
Durée : 1 h 55 mn
Éditeur : Faber Music, Londres
Opus : 14
Commande: Almeida Opera

Livret (détail, auteur) :

Philip Hensher

Genre
Voix et/ou chœur et ensemble [2 voix solistes ou plus et ensemble de 10 à 25 instruments]

Effectif détaillé
  • solistes : 2 soprano solo [la duchesse, la domestique] , ténor solo [l'électricien] , basse solo [le gérant de l'hotel]
  • 3 clarinette (aussi 2 clarinette basse [II et III] , 1 clarinette contrebasse [III + sifflet] , 1 saxophone soprano [I] , 1 saxophone alto [II] , 1 saxophone basse [I] ), cor, trompette, trombone, percussionniste, harpe, piano, accordéon, violon, violon II, alto, violoncelle, contrebasse

Information sur la création

  • 1 juillet 1995, Royaume-Uni, Cheltenham Festival, Everyman Theatre, par Valdine Anderson : soprano, Roger Bryson : basse, Jill Gomez : soprano, Niall Morris : ténor, ensemble de l'Almeida Opera, direction : Brad Cohen

Titres des parties

  • Overture
  • Oo Aa! Ha Ha Ha Ha Ha
  • I See. This Is What Is Has Come To
  • Take It From Me
  • Interlude
  • Of Course She's Done Well
  • I Could Never Grow Bored Of Dukedoms
  • I Hear Him Coming (Pantomine)
  • Interlude
  • Fancy, Fancy Being Rich
  • Did She
  • ...Of Course She Did
  • Order. Silence
  • But Now I Have Heard Something New
  • Did You Hear
  • What He Said
  • So That Is All
  • Interlude
  • I'd Like To Make One Thing Entirely Clear
  • Ah! None Left
  • Interlude/Fifty-Eight, Seventy-Nine
  • Agh
  • Who Are You

Note de programme

Synopsis

Scene 1

1990
The Duchess surprises a Maid and an Electrician in the act of ridiculing her in her suite on the top floor of a leading hotel in London’s West End. Owing to their negligence, Her Grace’s coat is soiled. As she changes, all three express unanimous admiration for Her Grace’s clothes and scent, and varying opinions about Her Grace’s circumstances. An entrance ensues.

Scene 2

1934
The Duke is expected at a large country house. Former ‘Debutante of the Year’
Mrs Freeling awaits him eagerly as her divorce is discussed by a Confidante and a Lounge Lizard. His Grace’s recent affairs are a topic. A song is given and His Grace arrives.

Scene 3

1936
Fashionable interest in Mrs Freeling’s wedding to His Grace is in no way affected by her status as a famous divorcee, a magnificent reception is thrown. Behind the scenes, a thoughtful Waitress prepares elaborate dishes.

Scene 4

1953
On one of her frequent visits to the capital, Her Grace relaxes in her room in one of London’s foremost hotels. She telephones for Room Service and gives the Waiter the friendly welcome which has earned her such popularity among the staff.

Scene 5

1953
Meanwhile, His Grace entertains a friend at home after returning from a party. Her Grace is discussed and information revealed.

Scene 6

1955
As the historic divorce trial nears its close and the Judge’s concluding remarks are awaited, Rubberneckers discuss the sensational aspect by which they have been attracted. A judgement is given and Her Grace reacts.

Scene 7

1970
Her Grace grants an interview at her lovely home. She offers insights from her experience of health, beauty, entertaining, millinery and English society.

Scene 8

1990
Her Grace receives two visits from the Manager of the prestigious London hotel which has been her home for over a decade. They finalise details of her forthcoming departure, and in the interim, she reflects. She vacates the suite, which is then made ready for the next occupant.